5. November 2025
so stelle ich mir Musik vor: wie ein Nahrungsmittel, wie ein Feld voll Weizen.
“I imagine music as a means of nourishment, like a field full of wheat,”Arvo Pärt explains.
For years I’ve imagined bread like music. It seems the world is a small thing, like a dog chasing its tail. Bread is like music, music like bread.
The composition is simple. Nothing elaborate needed to get lost for a moment in a bite. The fewest notes are sufficient. And what duration these notes of bread can have. They play themselves out on the counter long after the meal is over.
I found myself, one rough winter not so long ago, whittling away a great deal of days in the Berliner Staatsbibliothek on Potsdamer Strasse researching the emergence of scientific forestry and the seeds of romantic naturalism in Albrecht Altdorfer’s early 16th century landscape paintings.
One day in the middle of March when the sun came out to shine, the winter broke, and the Mauerpark began to look like a garden of earthy delights, I rode the bike down from Wedding to the Babylon Theatre on Rosa-Luxemburg-Platz. Die Himmel über Berlin was on, and I wept uncontrollably as I watched Wim Wenders’ guardian angels in their favorite haunt, giving and taking solace in their humans’ earnest search for respite and meaning in that same library’s stacks and carrels.
My own solace amidst the bleary rainswept days spent in the library’s water-park expanse I would find in the lobby––in the air around my locker where I kept my wet raincoat and backpack. Coming around the corner I’d walk right into a stinking cloud of bread emanating from behind the locker door, a loaf or raisin bun tucked away in my backpack inside.
The locker opens like the door to a concert hall when you have arrived too late.
Lunch at last.
——
This year, we changed our name. We’re doing things a little differently too: we’re milling grain now, and opening a bakery. The summers at the lookout tower have come to a close. I looked at the moon on the drive home last night and thought about the endless blessing we must find in being able to start new things––and the interminable curse of never truly being able to finish what we have started. The moon began once, and it sure is a long way from being over.
The baking begins on Saturday November 15th. 11am - 3pm. Location to be announced. I don’t want to be coy about it; there is a slender chance we’ll be set up for you in the new bakery space. More likely it seems we’ll have a few last bread tables out at the lot on Old Las Vegas Highway.
Bread twice a week, on Wednesdays and Saturdays, is the plan until we cross our t’s and dot the i’s in the new space.
We’ll have 1 kg bags of freshly milled flour on the table now too: Wrens Abruzzi and Ryman rye from the San Luis Valley in Colorado. White Sonoran and Skagit wheat is on the way from the lower Gila region in Arizona. And a special house blend of wholewheat flours we call the “bread trinity,” we’ve milled for strength, suppleness, and warm spiced grain flavors for any bread you can dream of baking at home.
There are a few new breads to introduce too, all in good time. Valley Rye is our new 100% rye bread: Wrens Abruzzi from the San Luis Valley, water, salt, and a healthy three-stage german rye sourdough build.
Tortillas are coming to the table as well; something to show for two years of quiet days at the lookout. Something like the face of the moon.
I’ve taken the title of this newsletter from the 2017 Deutschlandfunk radio program “Die Seele so lange läutern, bis sie singt” (To wash the soul so long until it sings,”) a synopsis of the Estonian composer Arvo Pärt’s life and musical expression. Läutern means to wash, sluice, or clarify, like brewers wort, butter, or gold dust in a stream. It’s a wonderful program for any german speakers who might be reading this, whether native or a learner like me.
Enjoy the program, I hope you all are well, and we’ll see you soon.
Warren